But in fact, could we not argue that there is the ‘expectation’ that one will become ‘wretched’ from being ‘prosperous’? Name: Adeisha Pierre Class: U6:3 Subject: Literature OTHELLO ACT 1 Lighting is important as it extends Shakespeare’s thematic concerns with the lightness and darkness of character and skin. The beginning of Act 2, Scene 1 is no exception. She discovers Othello as Desdemona’s murderer and uncovers her husband’s plot which she exposes; “I will not charm my tongue. They are also flaunting their “love” in front of Iago, who is already representing the deadly sin of envy. 179–180]) and her terse fury after Othello strikes her (“I have not deserved this” [IV.i. Act 2, Scene 1 of Othello shows the arrival of Othello, Iago, Desdemona, Emilia, and Cassio to the island of Cyprus after a dangerous storm. He repeats his belief that Othello has committed adultery with his own wife, Emilia, and seeks revenge by making Othello jealous of Desdemona. They wait for Othello. Jove is another name for the Roman god Jupiter (in Greek mythology, Zeus), chief of the gods. A messenger enters, and confirms that the Turkish fleet was broken apart by the storm, and that Cassio has arrived, though Othello is still at sea. Act 1 scene 1 begins with an argument between Iago and Roderigo as this was an effective way to start a play as it gets the audience hooked, because they want to find out what they are arguing about. Iago, Desdemona and Emilia discuss the virtues and values of women, and Iago shows his disparagement of females. Once again, Iago directly addresses the audience, laying out his plans to the audience and once again taking on the role of "director." The elements themselves appear to be turning on each other. Although the couple clearly express their love for one another, when they have left the scene Iago manages to convince Roderigo that Desdemona has fallen out of love with Othello and is now lusting after Cassio. The Cypriots are waiting to hear the result of the sea battle. If Desdemona is not faithful to her own gender and the feminist roles, and is also not faithful to her own family, Iago can deduce from this conversation that she also is not faithful to her husband. Othello: Act 1, Scene 1 Othello: Act 1, Scene 2 Othello: Act 1, Scene 3 Othello: Act 2, ... though true advantage never present itself; a devilish knave. 2231 Words | 9 Pages. ‘Well praised! Othello: Act 1, Scene 1 Othello: Act 1, Scene 2 Othello: Act 1, Scene 3 Othello: Act 2, ... though true advantage never present itself; a devilish knave. Structurally it signifies the act of Duncan's death which in turn… Montano checks that Othello is on his way. They prepare a celebration. Ironically, Shakespeare has used Cassio to highlight what an effect Iago is having, ‘you may relish him more in the soldier than in the scholar’. (Act 2 Scene 1) and does not appreciate the cracking of the trust that undermines her petition to Othello regarding Cassio. Iago changes the story for the worst as he causes Othello to commit suicide and murder his loyal wife because of his fatal flow which is jealousy. And then his subsequent lust and envy is portrayed: ‘Now, I do love her too, / Not out of absolute lust – though peradventure / I stand accountant for as great a sin – / But partly led to diet my revenge,’ (2:1:272-5). As Cassio shows what a ladies man he is, Iago plots ways to use that against him. Iago, still talking in prose says. 2. Act 4 : "do it not with poison my lord. I am bound to speak” (Act 5 Scene 2, Line 191). A herald announces that Othello plans revelry for the evening in celebration of Cyprus’s safety from the Turks, and also in celebration of his marriage to Desdemona. In this soliloquy, Iago speaks of lust – which is a deadly sin under the term “lechery” – and reveals more of his envy. Emilia’s role in Othello is key, her part in taking the handkerchief leads to Othello falling for Iago’s lies more fully. During Iago and Roderigo’s conversation, an idea of what Kastan thinks is Shakespearean “tragedy” is portrayed. ...How is Iago Presented In Act 1, Scene 1 Of “Othello” “Othello” was a play written by William Shakespeare in 1603.This play is a tragedy written in iambic pentameter, with a noble hero named Othello and a devious villain called Iago. Iago is going on about how he's murdered a lot of people, but he really doesn't like to do it, because he's such an upstanding guy. Play begins in darkness. The way that he imperatively tells Cassio and Desdemona to ‘whisper’ to each other, despite them not being able to hear him, suggests that Iago now has complete control over them both: Cassio is going to be the victim of revenge, and Desdemona is going to “pay” for her sins in marrying a ‘Moor’, and betraying her father. Othello: Act 2, Scene 1 – Summary & Analysis In Cyprus, the Cypriot governor Montano and two gentleman discuss whether the Turkish fleet could have surived a recent storm, and are informed by a third gentleman that the fleet was in fact destroyed. A messenger enters, and confirms that the Turkish fleet was broken apart by the storm, and that Cassio has arrived, though Othello is still at sea. The way that Iago states that he loves Desdemona reveals a great plot twist. A storm has dispersed the Venetian fleet so that Cassio arrives first, anxious for Othello's safety. This brings to light the idea that Iago has masked himself, and everyone else, so much that he simply cannot perceive who is who. Desdemona arrives later with Iago and Emilia. CRITIC INFORMATION: David Scott Kastan, a critic of Shakespeare, wrote about Shakespearean Tragedy, and what makes the play a “tragedy”. One critic has criticised the statement that Othello is presented as a tragic hero because ‘Othello is overly aware of his nobility’ (2). Detailed Summary of Othello, Act 2, Scene 1 Page Index: Enter Montano and two Gentlemen. 3. How much sympathy do you have towards Iago at this point. 179–180]) and her terse fury after Othello strikes her (“I have not deserved this” [IV.i. This is seen in the quotation above through the way Iago says that there is no ‘expectation’ in ‘prosperity’. However the comment is then followed by Iago's vow "to set down the pegs", which show his intentions to disrupt the harmony between them. For all the claims of military straightforwardness of some other characters, Desdemona is the most direct and honest speaker in the play. CONTEXTUAL LINK: The Seven Deadly Sins can be used as context here as the pride sin is intertwined into the hubristic nature of Othello and Desdemona. Used specifically of the Roman Catholic church. Act 2, Scene 1 starts off with a harsh storm indicating a symbol of unrest and of discord to come. A terrible storm has struck Cyprus, just as the Turks were about to approach. Cassio's behavior in act 2, scene 1, tells us that he is a people-loving, enthusiastic, upbeat person. Othello is a play based on love and rivalry. Scene i: After crossing the sea, Desdemona, Emelia, Cassio, and Iago arrive at Cyprus. This scene begins ambiguously in contrast to the end of the first act, with a new character, Montano, introduced. He will resent Othello and Desdemona’s relationship more excessively now due to their extreme pride haunting the scene. If you haven’t read through Act 1 yet, do that now: Scene 1; Scene 2,3. The play's setting moves from Venice to Cyprus, where Cassio has arrived first. Emilia is Iago’s wife, so of course, she followed him to Cyprus. Their love is portrayed to the audience, and their relationship is represented as hubristic. ( Log Out /  In Act 2, scene 1, Iago’s comment that Othello and Desdemona “are well tuned” is a metaphor of harmonic music in which he uses to indicate the current harmony of Othello’s marriage. 236]). The critic, Leavis, says that ‘Eloquence is a form of arrogance’. They spot a ship coming forth; but Iago, Desdemona, and Emilia are on it, not Othello. How Is Iago Presented in Act 1, Scene 1 of “Othello” How is Iago Presented In Act 1, Scene 1 Of “Othello” “Othello” was a play written by William Shakespeare in 1603. Othello, act 2 scene 1, Serious irony and tempting fate, idealism, Desdemona and Othello are in harmony "If I be left behind/A moth of peace, and he go to the war, /The rites for which I love him are bereft me" Desdemona, act 1 scene 3, Consummation of marriage, Elizabethan gender … Montano discusses the arrival of Othello and the other men with characters known as ‘gentlemen’. I am bound to speak” (Act 5 Scene 2, Line 191). However, this could challenge Kastan’s views because Iago says that there is ‘no expectation of [their] prosperity’, but there is an expectation: to be ‘wretched’. What news does Cassio bring to Othello? The ships arrive one by one, allowing the arriving members to talk about Othello while waiting for his arrival. Change ), William Shakespeare’s Othello – Act 2 Scene 1, Margaret Atwood’s The Handmaid’s Tale – Chapters 9-11, Margaret Atwood’s The Handmaid’s Tale – Chapters 12-13. He is a general in the Venetian defense forces, and, although a foreigner from Africa, he has won this post by excellence in the field of war. As honest as I am. Besides, the knave is handsome, young, and hath all those requisites in him that folly and green minds look after; a pestilent complete knave, and the woman hath found him already. Besides, the knave is handsome, young, and hath all those requisites in him that folly and green minds look after; a pestilent complete knave, and the woman hath found him already. Othello may be impressive on the battlefield, but his own personal insecurity leads to the tragic end of the story. Alliteration is a device frequently used in poetry or rhetoric (speech-making) whereby words starting with the same consonant are used in close proximity- e.g. CONTEXTUAL LINK: The declarative sentence at the end of the quotation above represents the idea of human nature and how it evolves. Ay, well said; whisper. With as little a web as this will I ensnare as great a fly as Cassio.’ (2:1:163-4). Cassio’s ship arrives in Cyprus first, then Iago and Desdemona join him. Copyright © crossref-it.info 2020 - All rights reserved. Can we identify whether it is nature – or one’s environmental factors – or nurture – how one was born, and how one has been since birth – that is causing these supposed ‘instructions’ and ‘compulsions’ inside Desdemona’s head to change her mind about her spouse? In Act One Scene Two, we meet Othello in a conversation between him and Iago.From what he says and from the way he speaks, here is where we can begin to question our first impressions that we accumulated of him in Act One Scene One. This editable close reading exercise features 11 text-dependent, higher-order questions, helping students improve reading comprehension of Shakespeare’s Othello (Act 2, Scene 1) with emphasis on Iago’s intensifying desire for vengeance against Othello and his emerging plan to achieve his goal. Act 1: Scene 2 1. English Literature Student; obsessed with books. 2. About “Othello Act 1 Scene 2” Iago, casting himself as a gentle and helpful friend, warns Othello that Brabantio is angry–and very influential in Venice. Henceforward the action of the play occurs in Cyprus. Act 2, Scene 1 of Shakespeare's OTHELLO, with notes, line numbers and search function. Cassio greets Desdemona but there is no news of Othello. Are they so interested and focused on the ‘increase’ of their ‘loves and comforts’ that they forget to actually try in their relationship? In fact, nearly all of the rest of the action of Othello involves the character's "acting out" the "play" that Iago is "writing." While Cassio and Desdemona stand apart, Iago cynically interprets their body language as evidence of their mutual attraction and a sign that he can convince Othello of their adultery. The location of Act I Scene 1 is significant. Sometimes used to denote all Christians As she tries to repair the ‘splintered’ friendship between her husband and his lieutenant, Othello interprets her pleas as proof of adultery. They prepare a celebration. he hath boarded a land-carrack,’ with the implication that Desdemona is a tawdry prize (Act 1 Scene 2). Change ), You are commenting using your Google account. The ‘little…web’ that Iago states could be representative of Iago’s plan, and the modesty embedded in to the word ‘little’, contrasted with the expanse of ‘web’ indicates that Iago’s plan will spread far across, like a ‘web’, to everyone involved, but only will he know why the ‘web’ is cast: very ‘little’ people will know of the plan. Act 2 Scene 1: This scene begins ambiguously in contrast to the end of the first act, with a new character, Montano, introduced. Cassio takes Desdemona to the side to talk to her about Othello’s approach, and Iago has an aside which is when Shakespeare brings in the dramatic irony and what Iago really thinks, and how his plan is going to be mapped out. When he is with Othello he acts all respectful but with others he really shows his manipulative side. In Act 2, scene 1, Iago's comment that Othello and Desdemona "are well tuned" is a metaphor of harmonic music in which he uses to indicate the current harmony of Othello's marriage. that the duke wants to see Othello, as there is some trouble with the cyprus colony. She discovers Othello as Desdemona’s murderer and uncovers her husband’s plot which she exposes; “I will not charm my tongue. A ship is seen to enter into the docks, and this is when Desdemona, Iago, Roderigo and, a new character, Emilia. It is traditionally understood that Mary was, and remained, a virgin during both the conception and birth of Jesus. ( Log Out /  Desdemona, in ambiguous hypotheticals – ‘How if she be black and witty?’ – bounces off of Iago and plays along with his derogatory language, and uses an interrogative sentence to feed Iago’s sexist views. He also lies, telling Othello that he challenged them: “Nay, but he prated, and spoke such scurvy and provoking terms against your honor that with the little godliness I have, I did full hard forbear him.” It is night-time, and the two levels of the stage used (Brabantio at the window, Iago and Roderigo concealed in the darkness of … If you haven’t read through Act 1 yet, do that now: Scene 1; Scene 2,3. Iago is going on about how he's murdered a lot of people, but he really doesn't like to do it, because he's such an upstanding guy. Montano is the Governor of Cyprus, which sets the scene of the transition between Venice and Cyprus. This gives her the qualities of being a “joker” and not completely committed to “her own”, and this is something that Iago can use against her and Othello. Act 2 Scene 1: This scene begins ambiguously in contrast to the end of the first act, with a new character, Montano, introduced. Write notes about: The positive things Iago says about others. Shakespeare represents the image of women in this scene through Iago’s character, and he speaks in prose saying: ‘you are pictures out of doors, bells in your parlous, wild-cats in your kitchens, saints in your injuries, devils being offended, players in your housewifery, and housewives in your beds.’ (2:1:108-11). Act 2, Scene 1 You thought there was going to be a battle scene. In Act 2 Scene 1, the sea storm is described by minor characters with very powerful and threatening imagery which prefigures the approaching storm in the relationship between Othello, Desdemona and … Now, when the Venetians come to Cyprus, they are the outsiders, so can Iago feel irritated at himself for being a Venetian in a population of Turks? Iago sees Cassio take Desdemona’s hand, and he says in his aside: ‘He takes her by the palm. Ironically, Shakespeare has used Cassio to highlight what an effect Iago is having, ‘you may relish him more in the soldier than in the scholar’. The Roman Catholic teaching that the Virgin Mary was conceived immaculately (i.e. Miss Parry 17,251 views. The fact that iago has convinced othello that strangaling his wife is just and he is planting the idea of murder in his mind demonstrates this. As a storm rages, the men of Cyprus anxiously await the arrival of Othello. Firstly, we have Othello’s soliloquy towards the Duke. Othello and Desdemona's Love In Act 1 Scene 3 The scene begins with the Duke and senators sitting around a table in ... Iago in William Shakespeare's Othello Works Cited Missing In Shakespeare's drama 'Othello', the reader is presented a tragedy of characters deeply affected by the clash of good and evil. Emilia’s role in Othello is key, her part in taking the handkerchief leads to Othello falling for Iago’s lies more fully. (1965 film version starring Laurence Olivier) Brabantio's confront Othello's about marriage to his Daughter OTHELLO: Act 1, Scene 2 Cassio informs Othello of their mission in Cyprus Iago warns Othello of Brabantio Venice to Cyprus Othello escorted to Court Iago's intent might be At the end of this scene, we are sitting on a hill of dramatic irony, deadly sins, lies, and prejudice. Shakespeare has begun to prepare us for the poisoning of Othello’s mind, which occurs in Act III. Iago continues to satirise women, and Desdemona encourages him, as she thinks it is just words and not opinions. The Bible describes God as the unique supreme being, creator and ruler of the universe. Moreover the speech is highly famous, it is the climatic decision making soliloquy and it a high point of tension within the play. The idea that nature ‘instructs’ one’s own emotions, and makes one ‘compelled’ to change one’s mind about other decisions and thoughts. Desdemona is a more plausible, well-rounded figure than much criticism has given her credit for. He sees the best in everyone and isn't afraid to say so. Read a translation of Act II, scene ii → Analysis: Act II, scenes i–ii. Arguments that see Desdemona as stereotypically weak and submissive ignore the conviction and authority of her first speech (“My noble father, / I do perceive here a divided duty” [I.iii. This is seen by him saying: ‘That Cassio loves her, I do well believe’t;’ (2:1:267). 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